Nina Ylitalo
Ukemi from nage's point of view: uke creates the technique
The key to aikido technique is interaction between nage and uke.
Finding the direction and power that uke is using will aid to find
flowing timing and when that is found you know already when a throw
is at its best.
If you are early uke do not follow and if late the attacking power
is lost. When the timing is right the technique will work as well.
When timing is unsynchronized when compared to uke's movements you
can not move him/her without quite huge efforts. Shomenuchi ikkyo
is quite good example of that. As long as you try to move when uke's
striking hand is already coming dowm you are late and will risk your
face. Another problem cause by a later timing is that both of your
powers will strike together. It hearts if hands will bump against
each other so you will know if you are late. Immediately when the
timing is exactly right uke's and nage's movement energy will merge
and will make the technique soft and fluent almost by itself.
"It is equally important to wait than to strike!". While
waiting a free space to cross the street people may burst against
traffic and risk their valuable life just because couldn't wati a
few seconds for a right moment.
Ukemi from uke's point of view: to move out of danger
Uke's role is not to resist in all possible occasions but to go with
the flow to seek new opportunities to continue the attack. Therefore
he/she needs ukemi.
It's not always easy to make an ukemi
In kaiten nage ura uke may find him/herself flowing to tatami back
and buttocks first. Sometime ukemi is left halfways and sometimes
when nage get's a lot of speed into it uke flies in the air like a
cat trying to turn over and land controlled. It is an easy job for
any cut but not for humans. Landing may be very unstylish when tatami
felt to be on wrong height. It might be "too high" and the
head clunks against it or "too low" and a sideway flight
suddenly ends.
Shihonagessa nage may throw you in a way that uke needs to make a
tobikoshi ukemi over his/her shoulder. Then you can try this:
1. Whennage is turning below your arm, go into the movement and bring
your own elbow by your side and bend your loin sideways. By doing
this you will get ahead of nage's movement and get time to prepare
yourself. Additionally you will unlock the wristlock a bit and can
make the ukemi without being forced to do it.
2. When nage has turned and will start throwing, get really close
to nage, almost on his/her skin. By doing this you can lightly lean
on nage and feel safely. Light the weight on you feet by leaning your
upper body close to tatami and start rolling over your center. Now
you will go to ukemi on low and need just a small ukemi.
"Old man's ukemi" is another possibility and can be done
when nage is using light lock so ask for it to try! When nage is beginning
to throw step a long step backwards close to nage's body. Aim to move
ahead of nage's movement. Roll to tatami like you would be starting
an ushiro ukemi, but instead of rolling over just sit and roll on
your back. Hit the tatami with your arm and use the force of hitting
so you can use the falling movement to raise.
It is quite important to keep your shoulder relaxed when doing a
shihonage ukemi. It releases the tension quite often part of ukemi
and it also prevents nage to get the most out of the wrist lock.
Seek for an nage that you trust and with whom you can practice ukemi
peacefully. Fast ukemi is learned by practicing it slowly first!